And So It Begins

I've been dropping hints for a few months, but the time has come to reveal my plans. In December, I secured funding to start a multimedia company that I have been planning and researching for two years. It will start as a one-man operation assisted by AI tools. I hope to begin collaborating with others by the end of the year. The clever readers of my blog will have seen the clues I have been dropping. Ever since the Spring of 2023, I have been trying to think of how I can use AI in a way that benefits myself and others.

Back in the mid-90s, I was happy as an actor trying to find the right role to play. That said, I wrote my first script in 1995 just before the Olympics were held here in Atlanta. That was back when Buckhead wasn't yet a shooting gallery and having fun on the weekends was the most important thing in the world. I was a waiter in a restaurant back in those days, acting in plays and partying in Buckhead in my free time. 

A friend of mine was working at some upscale restaurant in Buckhead and we came up with an idea for a film that would take place at a restaurant in Buckhead. Hey, it was what we knew. For whatever reason I was tasked with writing the script. It was awful, but, as they say, you never forget your first. Over the past thirty years, I have written dozens of stories. Something I never imagined back in 1995. Back then, I thought I was writing a vehicle for me to star in. And yet I took to the writing side of storytelling like a duck to water.

I first discovered my knack for storytelling in high school thanks to a teacher who noticed I had a talent for creating stories. And it was rekindled in college during English Lit. However, I was still a bit of a jock and a motorhead back in those days who loved taking things apart to see how they worked before putting them back together. This is probably why I enjoy hiking and world-building to this day. Give me a hill to climb or a story to deconstruct piece by piece before putting it all back together again and I am as happy as a squirrel with a nut. 

When I was devoted to acting, I loved getting lost in the characters I would play, giving my all to each part. This has helped me to have a deeper understanding of the characters I write. However, acting would leave me with a hole in my life when a project was over that was not filled until I found a new gig. I hated that about acting. I am not an emotionally codependent person who has to jump from one relationship to another, but with acting I needed the next role. And when things dried up in LA I left one dream on the boulevard of broken dreams and started another by writing my own projects. No longer needing the guidance of others to tell me what to write. 

Two of the most important things I learned in LA were self-reliance and the ability to bring my own dreams to life. This is both a gift and a curse because while I can sit down and create worlds that don't exist, as time passed I drifted away from my connections. Connections that allowed me to create short films in the mid-2000s. 

I won't lie and pretend that I am the most talented writer in the world, but I can tell a story. And, I gained a ton of confidence after the short films and especially after releasing the novel series Monarch. Maybe too much confidence. I knew once I had released all four parts of that story that I could write anything. Something I learned from that period was that I could be a real pain in the ass when I was too focused on "the story". 

I like to think I am a decent enough guy, but there have been times when I could not separate my writing life from my normal life. Almost as if I felt that what I was doing with my writing had earned me a break in my day-to-day life because of how challenging it was. But, the truth is, when you write alone you also carry the difficulty of that work as an extra burden. Needless to say, this caused friction at times. It took a few years to get my head out of my own ass, but I learned a lot because of it. I've learned to not take myself too seriously, or at least not as seriously as I did back in those days. After all, they're just stories. Even though they may mean the world to me, that doesn't mean anyone else gives a shit. Unless you are rich as hell or have lots of support, you need to learn lessons along the way and adapt to situations. And that was one of the hardest to learn. 

Fast forward to the Spring of 2023, past several dozen new stories written the old-fashioned way, and the rise of AI. As one of those who was not paying attention to AI, this did not happen for me until the release of GPT-4. After a few days of prompting, I began to realize that I had to adapt. 

There are fears that AI is training on the work of others. Many argue that AI will never take the place of humans in their field for various reasons. They explain that AI just copies the work of others, and that users try and pass it off as their own work. AKA Copyright infringement. By the summer of 2023, I realized that the people who had been saying this were scared. Hell, I was scared. One of the first things I heard before GPT-4's full release was that writers were in jeopardy of being replaced. This probably quickened my interest more than anything. Could it replace me? 

I learned within a few days that these tools may not yet be perfect but they were improving quickly -- even more quickly now. Will they replace me as a storyteller? I'm not sure yet. I have invested a lot of time researching these models and they can write pretty well, but they lack actual life experience. Maybe after AGI is achieved and these models start to have their own individual experiences and they start telling their own unique stories based on experience, but not yet. And will humans actually want to consume the stories of  the lives of AI like they do from other humans? Maybe as a niche, but I can't see 50 streaming services loaded with content about the lives of AI models that are self-aware. Not with billions of people paying to watch wall-to-wall content about their stories. But, who knows. 

Until that time these tools could help me do more than I had ever imagined possible,  while also helping others along the way. Even if they may eventually replace me at some point, my hope is that there is a path for me to work with these AI tools in collaboration with my own experience in storytelling and in life for at least a few years. 

The initial seeds were planted back in 2023. And, while I did not know how to use all of these new tools, it was clear that I had to learn all that I could. Images, Text, Video, Audio, Coding, Jarvis-like assistance. For those paying attention, it was clear that the world was evolving because of AI. A saying began to work its way out of the ether, "AI won't take your job, someone using AI will." 

Not since I was an actor have I ever wanted to take a job from someone. That is not who I am. However, I am willing to use AI to do all the jobs I need done in order to achieve what I want to achieve. And that is to take the stories I have written and will write and make them into graphic novels, films, TV, and video games. 

Helping others along the way was something that I realized I could also do. This had not been top of mind before AI, because it was hard enough to write a book and try to get a movie made, but it was one of the first things I thought of after spending a few hours with GPT-4. 

I don't know why I thought about creating an app to help others, but much like the idea that I could single-handedly turn my dusty scripts into movies, the desire to help others has stuck with me over the past two years. By last August, I had done the research I needed to do to realize that I could start my own company if I had some support. I set out at that time to begin the preliminary work required to begin a company. I started talking about it with my family and friends. 

I remember one of my friends saying, "Actually starting a company is easy." I did not go into a lot of detail at the time about all that I had in mind because it was early and my plans were still taking shape. He knew that I wanted to use gen AI tools to create graphic novels and films, but AI video was still pretty limited at that time. Yet, one of the main parts of the plan would become creating several apps.

When my writing partner jokingly said, "If you pull it off you'll have a media empire at your fingertips," after reading my pitch package for a TV series. It triggered something in me. I knew then that I had the wherewithal to actually start my own media company, if I kept researching and learning about all of the AI tools as they kept improving. And here we are. 

That said, AI video is something that cannot quite make for a good film. Let alone a great one. Not the kind I want to make at least. Sure, you can make commercials and shorts. For most people that is all they need. I am a long-form storyteller and former actor, so I need people interacting with one another. I need them to run into the darkness as well as the light,  to love, to hate, and feel alive to the audience. To tell my stories I need these tools to give me what I need within a few prompts, not dozens of attempts for every shot. It would still be faster and cheaper than actually filming a movie, but I need these models to understand what I am trying to do from start to finish. Such a tool created along with OpenAI's GPT5 model later this year might be able to read one of my scripts, discuss with me what look we are going for, be able to create scenes that look like they were actually filmed, and do so in less than 5-10 attempted outputs. 

Of course, some scenes will take more attempts to get right, but if it takes 50 attempts and there are still googly eyes, stutter steps, and extra limbs in the best outputs then that is a waste of my time. This is one of the main reasons I decided it would be best to focus on an app or two to start with. I also knew that video tools would continue to improve. And since August they definitely have. But even now, live-action ain't there quite yet. Even the videos being made by the best people using these tools still look a bit off. And looking off during a 3-minute trailer means a 2-hour film would be littered with uncanny artifacts that distract when I want people to stay immersed in my world. That is the live-action AI video.

This is why animation is what I am currently focused on with a few old short films I made back in the day. There is more room for error with animation. AI is a tool meant to make things easier and more efficient, not slow things down to a crawl. My timelines for these tools advancing have remained pretty true. That said, I did think we would have a kick-ass AI-animated movie made public by now. We've had a few shorts but there has not been an AI animated movie, to my knowledge, that even regular folks who are not eyeing the AI space like myself are all talking about. Not yet at least. It won't be long. 

The only AI movie that I have seen that even comes close is Where The Robots Grow. I first noticed it back in October and the trailer is quite good. Eleven Labs, an AI Audio company, tweeted about it just a few hours ago with the trailer. 

It's reminiscent of The Wild Robot, which was a smash hit last year. However, the buzz quickly faded and I don't think people outside the AI space are even aware of it. It has so far been unable to break through to the rest of the population. I think Eleven Labs and the creators see an opportunity to promote it now with The Wild Robot likely to take home an Oscar. Who knows, this could break through sooner rather than later. The number of views is still bellow 100k but I can see it getting a post-Oscar bounce because of The Wild Robot. Aside from this movie though the landscape is pretty barren for feature-length AI animated movies. Maybe by this summer we'll start seeing more. 

A part of me wanted to just focus on graphic novels once AI images became so good last year. But I want to do more than that. Graphic novels are cool, but movies are in my blood. Video games are also something I am very excited about. I want to make all of them with the help of AI. And Where the Robots Grow should give all of us inspiration that we too can make our own movies using AI animation.

Something I have been waiting for since last summer was Part Two of the Library of Congress's Report on Copyright and Artificial Intelligence from the Copyright Office. Part One covered Digital Replicas, which didn't affect what I wanted to do. However, Part Two is on Copyrightability and most certainly does. The buzz online, once it was released in January, was that AI artists could copyright all that they create. That's not true. Much like the previous rules, you have to prove that you substantially contributed to the final product. Still, much of what AI creates cannot be copyrighted on its own, but there are clear paths to get your work copyrighted. The timing of its release was perfect for me and gives me confidence that I can copyright material that I create in tandem with AI. 

The one thing I do not want to do is be a content creator. No offense to content creators. There are some great ones out there to whom I am grateful, but trying to trend every single day sounds like an awful job. One that I do not want to do. Yes, I will be creating content other than apps, graphic novels, movies, and games, but out of a need to promote my work not to score likes for sharing and hyping info that everyone else is sharing about the newest, hottest AI thing. I do like to retweet and comment, though.

I have been debating about building my apps and creative work in public. The tools that help build apps are probably more prevalent than AI Image tools at this point. That reminds me of another saying that I've been hearing a lot over the past six months that has stuck in my head: "Just start building." I have been recording audio content on walks and hikes and may start incorporating that (depending on the quality) along with content recorded in my office, both audio and video.   

Coding tools have become ubiquitous and I keep hearing about people cloning popular apps. I figure it is best to keep details about the apps that I am building on the DL until it's time to launch. I apologize for this. I wish I was this amazing coder who could just throw out what I am doing and be assured that what I was doing would be completed before anyone else could take the idea and do it themselves. If I had a massive following then that too might be a good reason to build in public. But, I am still learning about everything and trying to build at the same time. The ideas are strong and the path is clear, all I need is to make good use of the time I have been afforded to make what I hope you may enjoy and get good use out of. That would mean the world to me. And I do not want to undermine all of that by talking it all up before anything is ready to be shared. I hope you understand.    

In August, I was ready to start. However, I knew that in order for me to make a good go of this I needed to raise some money to sustain myself long enough so that I could focus full-time on building the company I wanted to build. To do that I had to not only deliver a plan but also a prototype of the first app I wanted to build and release.

It took me roughly three months to flesh out a short-term and long-term plan and create the basic prototype for the first of three apps, while also providing assurances that I could pull it all off. There was a good deal of back and forth, which was unbelievably helpful in developing those plans. I've set achievable goals for myself in the short term. And, should things gain traction, the long-term goals may also become feasible as well. It helps that since I created these plans AI Agents have come into play and all the tools I will be working with continue to improve. These should provide enough assistance in the first half of this year to help me stay on schedule, and possibly even help me get ahead of schedule so that I need to update my timelines. 

I have become more of a realist through the years, and I understand that things may not turn out the way I had hoped. I learned these lessons time and time and time again over the past thirty years as a storyteller. Even if I fall short of achieving my goals, I will have learned more than enough about a variety of AI tools and workflows to be a valuable asset to others with the experience I am gaining. While I welcome collaborating with others, I want to be an artistic AI solopreneur for the rest of my life.

In summary, I am starting a company that will begin with me releasing my first app. There are two other apps that I hope to release by the end of the year. In addition, I want to use dozens of the stories I have written over the past thirty years and turn them into graphic novels, films, TV series, and video games all with the assistance of AI tools. I may even create at least one fictional podcast. While any new screenplays or books I write will largely be written by me, as I still enjoy that process, I have been using AI to help in the early stages of new writing projects. 

However, I may lean heavily on AI to write one book and a course to accompany the first app I intend to release. I am not sure I can have the book ready to go before I release the app. Therefore, I may only have the free course to accompany the app upon its release. The book I am thinking about would be somewhat autobiographical and will likely take too long, even with the help of AI, to be ready by the time I release the first app. I may release it later as I start updating the first app. It is a great concept and users should get a lot out of it. So, we'll see. 

I would not have even thought about creating games or graphic novels without the help of AI. Well, I had certainly thought about them before AI, but I know I would not have been able to create them on my own. That's all changed now. 

Some of the work for films and TV I would like to be actually filmed, but if things get good enough with AI I expect much of it in the future will be AI only with my direction, as I have a lot that I want to share. In addition, I will be doing some content creation. This blog, as always, will provide a window into my progress. I'm not sure if I will do a newsletter. Maybe I'll get an AI agent to help with that. Within a month or so I will start releasing voice content and possibly a video or two. We'll see. 

Wish me luck, stay tuned for updates, and thanks for reading. 

2024: A Look Back To Look Forward

As we approach the end of December, it is time to look back on the year so we may look ahead to 2025. Reflection on the past can be invaluable in creating a path towards the future. Some of the stories that I write involve me taking a deep look at the world. In fact, several of those stories are even more prescient now than when I wrote them. One of them stands out because of recent world events. It is a post-apocalyptic thriller meant to reflect the present and the past into an imagined future. A cause-and-effect story that may need to be shopped around in the new year. 

It's one of a dozen such stories where I used the present and the past to imagine what the world might be like in the future. Along with writing anthologies, this has become an undeniable trademark of my writing over the past twenty-five years. Writing anthologies is something I have talked about at length here over the past decade. That came about out of necessity and respect for the format.

Writing about the future is a way of dealing with what I have learned and experienced. I can't properly do that by just talking or posting about it on social media. You can get tangled up in people's opinions and beliefs and lose track of what your purpose was for bringing it up in the first place. Discussions are good and part of the process, but once you have a story that you can't stop thinking about it has to be told by you. 

Storytelling is my favorite way to express myself. I like to imagine the story, determine if it is worth spending time on and then crack on with it. That said, I have sat on stories for a decade. So, cracking on with it sometimes happens right away, but it may also mean when the time is right. The rules are always evolving with creativity. Stories often arise from observations of life or deeper research. I have sat at a cafe for a few hours and plotted out multiple stories or discovered a creative path that will take years to complete. I then proceed to follow this new path to completion years later. I like to believe that my personal barometer for determining which projects to pursue has improved through the years. Whether that is true or not may be open for debate.  

The plans I make for myself are often in an attempt to make time for creativity. When you come to realize that you are one in 8 billion people on a massive rock whirling around an invisible race track in the dark expanse of a seemingly infinite universe, you can get lost in the numbers. Storytelling is my vessel to explore it all. Whether that be through writing, acting, directing, or designing. When you walk the path of creativity you tend to become the path after a while. 

Big ideas become plans. Ideas and plans change based on the situation. Big plans become projects that get attention. Projects become accomplishments. And by the end of the year, you reflect on it all and see that progress was made. Then you make adjustments and plan for the year ahead. You have 365 days to move the ball -- a metaphor for your creative work. We are not Sisyphus, we are not being punished for our imagination. The process of creation is meant to be one of toil, yes, but also one of joyful self-expression. As painful as it can be to be rejected, creating something that would not exist without your imagination feels glorious. This year was no different. I started the year by releasing an illustrated version of the book Michaelmas. This marked my first attempt at integrating AI images into my work. After I released the book I thought I might focus on illustrating another book or work on a graphic novel.

Then in February, we got the tease from OpenAI for SORA. If I am being honest, I wish they had not teased it so early on, because my whole view on what I should be doing in regards to AI shifted. As a result of my excitement, I began thinking more about AI video possibilities instead of what I could do with AI images. 

By this time, I had already begun work on a pitch package for a TV series, something I had been tinkering with off and on for a year. Pitching the story had been in the works for a few months and I got a bit sidetracked while focused on illustrating the book. However, once I saw those first SORA videos my mind started racing. Up until then, the AI videos I had seen were easily dismissed as not up to par. But some of those SORA vids made me dream more than I should have. I was blown away like so many others. Ideas about how such a tool might be used with my TV series flooded my imagination. So, I changed the pitch package to reflect how I thought AI Video might be used in the post-production of the series. This is an example of me using the same imagination I often use to tell fictional stories about the future in the real world. The rise of AI has had me trying to predict its story arc. In my self-deluded mind, that would have seen the production of the TV series wrap in the summer or the winter of 2025 with an eye towards a 2026 release. 

At the time, I was focused on gathering interest to get the show made on film with actors. There were things we could do with AI tools once filming was done that would make the series both interactive and immersive in ways I had not imagined were possible before seeing those early SORA videos. The video above is a recent SORA video of an Open World game. I imagined two such games or levels to one game for the TV series that are edgy and reflective of the material, with a more intimate and immersive experience set in one charming Disney-esque location. Could they all be part of one larger game? Yes. However, I want people to have the option to do them separately. 

I created a robust Pitch Package, which included an in-depth Show Bible and a more concise Pitch Deck. To those who don't know anything about these, the Bible for this story is fifty-one pages in length and goes into detail about the entire series, from the pilot episode, the first season, to the entire series. It is filled with visuals and references that paint a clear picture and feel for the series. I prefer these to a treatment, in which you are essentially telling the entire story but without dialogue. They can be very effective. However, I love a creative and robust Show Bible. My current favorite is Stranger Things, originally titled Montauk. 

If you thought writing screenplays was just about the script; well, you would be mistaken. Some people (mostly writers/directors) may be able to get away with that, but when you try and sell that project you need to provide a lot more information than the script. In reality, the Show Bible and Pitch Deck for a TV series are just as important as the Script. That is because you are selling a feeling, and in the case of this series a unique vibe. It is not a traditional show with one clear beginning, middle, and end. In this case, there are multiple overlapping stories in the first season that take place in the same town over a 20-year period. 

We are emotional beings and the key to our hearts is through our feelings. But the way to the mind can be more complex. You have to touch a chord within people beyond knee-jerk emotional responses, it is more about frequency in that regard, where you know what some people like and then create something that will be in the same vein as what has worked before. Feelings are easy. That's why some say that drama is easier to do than comedy. I mean you don't see many daytime comedies.  

I have queried hundreds of people through the years, sent out pitch packages for dozens of movies and TV shows. The process is time-consuming and nothing is quite as humbling as trying to sell a spec screenplay. AI will change and is changing this process in a BIG way. 

Soon, those of us who have walked this path, and those who are drawn to it now and in the future, will not hit the same walls as those who came before -- those walls I know too well. Because we are being liberated to become the 1st generation of multimodal storytellers. 

Within a year or so all screenwriters will have options to either sell our stories the old-fashioned way or learn the skills to make the films and TV shows ourselves. However, there is an emerging new type of collaboration with a team of AI artists working on a single project. It is similar to indie films except there will be more rapid turnover. So, a traditional team may make 1-5 films during a year. Roger Corman managed to produce and/or direct an astounding 9 films a year all the way back in 1957. An AI team will be able to create a dozen or more a year, easily matching that of Corman and likely well surpassing his impressive output. You gotta think this will be a popular option. I know it is for me because I have dozens of stories ready to be told with AI tools, and new ones that are begging for attention. While I will certainly create many AI productions on my own, I love to collaborate with others on a shared project. You are your own limitations in this new paradigm. If you want to create it you will be able to do so. 

Speaking of limitations, Google just gave a few AI artists access to Veo 2.0. They teased Veo 1.0 back in May. It looked good then in the few videos they released. However, this new version is phenomenal. It is a new SOTA model and is leaps and bounds better than any other model out there, and that is with all of the other models having improved dramatically over the past year. That is saying a whole hell of a lot.

The dream for artists is to have one tool to help you with all of your creations. As of right now, even though Veo 2.0 is amazing, there is a need to use multiple tools. By the end of 2025, you've got to think that ideal tool will exist in public or in some AI video lab. 

After Sora was released I was disappointed. I mean it was great to finally have access to it after they made us wait nearly a year. Aside from the speed with which it creates the videos, the quality is the same as what we saw back in February. That means they either hit a wall or they are holding back their improvements and just focused on the UI for the rollout. 

With Sam Altman's belief in iterative deployment and Open AI's willingness to hold back Sora until the election played out, I think there is likely a much better model that they are sitting on. If not, they may have just lost the AI video war to Veo after a week. Maybe Veo 1.0 was also better than Sora. It's hard to tell by the limited examples Google released back in May. Either way, Veo 2.0 is a far more useable tool, and it has me dreaming again. I can't wait to get my hands on it.

The public release of Veo 2.0, whenever that may be, may mark the moment I begin to turn my focus to the production of a short film, and the first step towards a collaboration with others. I have been tinkering around with all the tools (except Veo 2.0, which is not publicly available) without being too focused on making anything. 

Even Veo 2.0 isn't perfect; you wouldn't be able to make a believable lifelike AI movie worth watching with it just yet. However, with Sora, Veo, and all of the other quickly-improving models the time to hone the craft of AI filmmaking is here. That way once the impossible becomes possible, we can be up to speed and ready to crank out some exciting new content. 

I figure once all the tools are good enough, which feels like we are there or nearly there for AI animation and getting closer with lifelike AI, I may be able to create several AI films on my own within a year. I'd like to start doing that in 2025 with AI animation. That way, by the end of 2025, I would be ready to collaborate with others. Why wait? I want to be able to do all of this myself before I even attempt to try and bring others on board. Who knows, maybe I will even work on other people's projects. Being able to do it all myself with the help of AI is a current dream I have, which is based on what I have seen from AI, what I have already done creatively over the past 20 years, and my eagerness to put on to screen much of what I have written. My second objective is to be able to work with others to help expedite the production of unpublished and unproduced stories in my library. This way I can also learn new techniques and improve upon what I can do on my own. The productions themselves will likely be better as a result of collaboration. Always improving is key, as is tearing down barriers instead of building them. 

I've mentioned this before, but my writing partner on the pilot episode for the TV series I pitched earlier this year said to me, after reading the pitch package I had created for the series, "If you pull it off you'll have a media empire at your fingertips." I could sense his doubts, yet I assured myself that what I had laid out was ambitious, yes, but plausible. Was I reaching into the ether for the impossible? I had kept up with all of the AI updates and knew that what I had discussed in the pitch package may be possible within a year or so. I based the AI aspect of the pitch upon what seemed to me and others would be true by the summer of 2025. 

I was seeing AI podcasts, AI games, and immersive experiences where viewers could choose their own adventure or virtually walk in the town I had set the story. I jammed a whole hell of a lot into the pitch package. The story is ideal for all of it. But unless I could help one of the great directors and producers I respect see my vision as their own, it would all never happen as I had originally envisioned. And that is what it is like to be a speculative screenwriter. Wish in one hand, and... well, you get the idea. 

By mid-June, I realized that I had just spent a quarter of the year trying to get someone else to make my story and had not gotten much traction. I started to reflect on that time and it became clear that Hollywood was not open for business. The strikes from last year, the impending crew strike, and the uncertainty of how AI would affect things had ground the business to a halt. 

That was the moment I thought back to what my writing partner had said, and I thought, why not use AI to do exactly what he had said and create a company? A media empire is beyond what I could handle on my own. So, my own AGI test will be me starting a media empire with the help of a variety of AI tools. Not with a focus solely on a TV series or film project, which is all a part of the grand plan, but also on what else I can do with AI to create a business beyond just making films and TV series. 

We have entered the realm where these AI companies will start passing benchmarks every other week. We are still at the front end of acceleration. I consider the pre-AGI period the front end because what comes after will be incredibly different. Will it be like Sam Altman's iterative deployment where things increase at a gradual pace or will we all share that GPT-4 type moment where we all agree that AGI has been achieved?

Google and OpenAI dropped a ton of updates this month. Google dropped information about Willow (Quantum Chip), Gemini 2.0 Flash Experimental, Google 2.0 Flash Thinking Experimental, and a number of other impressive updates including Veo 2.0. OpenAI, on the other hand, released o1, o1 Pro, Projects, o3 (Benchmarks), vision in Advanced Voice, and several other updates including Sora. These two companies changed the entire AI landscape with their updates. And open-source models are improving rapidly as they reverse engineer what closed-source companies are doing behind closed doors. 

My ultimate goal may be to tell stories but I also have ideas on ways to help others thanks to AI. In fact, one of the first things I thought of back in the Spring of 2023 after GPT-4 dropped was a way in which I could use AI to help others. And so, by mid-August, after spending a month focused on AI video, I began doing research on what kind of company I would want to create with the help of AI.

Other than a desire to be able to create films, TV series, graphic novels, and books with illustrations, I had the App idea that I had been kicking around for a year and a half. As I started doing early research on creating an App, I realized that I didn't have just a single App idea but several ideas for multiple Apps. 

A "media empire" sounds intimidating. However, now that I have begun work on one I can say that even with the help of AI it is a hell of a lot of work. All of these AI updates are brilliant and are making what I am doing possible, but I am interested in also finding out if Agents can help me do even more than I had planned. My timelines may shorten and my plans for 2025 may change because of new tools being made available.

During August I realized that while AI Video had made some fantastic advancements, no matter which tools I used it still looked like AI video no matter what I did. The same was true for what I was seeing others do as well. I had been working on creating a life-like trailer for the TV series but was disappointed that I could not make it look real. I have long thought animation with AI would deliver the best early results and that has proven to be true. Since August, Hailuo Minimax released an update that is great for 2-D animations. I think it is safe to say that we will get an outstanding AI-animated movie by next summer. 

While Veo 2.0 may change the landscape for AI video, it is not yet public. Whatever effect it will have will happen in 2025, and that will also push these dozen or so other companies to step up their game. The talk is about physics and how Veo 2.0 nails it and the others fall short. The fact that Google has made the first gigantic leap with the physics in Veo 2.0 is very exciting for someone like myself. That means that by the end of 2025 I will likely have created something on my own using these tools that is at least close to how I had imagined it when I wrote the story.

After seeing tools like Replit and Cursor help non-coders create Apps, I  realized that the App ideas I had back in the Spring of 2023 might be something I could create and deploy. From there things have blossomed a bit. I have already created a prototype and done early testing on the first App. 

If AI Video was capable of creating TV series and Movies that people might be willing to pay for then I might be down that hole like a number of others. Many of them are creating some amazing content, some of which is being used for music videos and ads. Cool stuff but not what I am interested in doing.  I am still not all aboard the AI Video train just yet. Even if Veo 2.0 were to be released in January, it would not change my early plans for the year. However, by April I may be open to working more on AI video. We'll see. I am open to change based on AI updates, but I won't alter my plans until it makes sense to do so. 

I had been thinking that the trailer for my TV series would be animated. Veo 2.0 may change that plan. In fact, I have three other animated projects in mind. These updates keep happening so fast. Animation seemed like the best path for 2025 until Veo 2.0 previews started to drop. It could be that by summer life-like AI Video is indistinguishable from real life. 

In the meantime, I will continue to focus on the creation of the business. It is meant to eventually help support my creative efforts. A SaaS company with a few AI-wrapped Apps is one part of the business. My creative side is of course another part of it. In between, is not necessarily me being a content creator. While there are plenty of amazing content creators out there, that is not what I want to be focused on. That said, I will be creating some content to go along with the Apps. Some learning materials as well as marketing content. I have no intention of showing my mug all over the place; I am too old to be faking a smile for you. You may be hearing a good bit of my voice though. 

It has been a good year. Plenty has been achieved. Much has been planned for the new year. Buckle up, 2025 is sure to be another eventful year. I wish you all the best in 2025 and hope you will join me on an adventure that has been a lifetime in the making. 

Old Glory

It has been quite the year. I do not like to talk about politics on public forums. There are enough people out there who are doing that. I try to keep informed about the views from both sides. As a creative person, I try to see things from everyone's POV.

The country made a choice this Tuesday, and for good or for bad we will all have to see where it takes us over the next four years. We are all in this together after all. Thanks to our military might, the United States of America is the most powerful country in the history of the world. We have long been viewed as "the shining city on a hill" because of the opportunities available to people here. Let's all hope we can maintain our strength and remain a beacon of hope that many in the world still look up to.

As those who have kept up with my blogs will know, I embraced the changing AI landscape last year. I have prided myself on my ability to adapt to my surroundings over the years. And yet, looking back, there are times when I tend to stay in situations that I do not jive with and it has cost me. 

Last week, someone said I had midwestern sensibilities. They were referring to my preference for routines. Routines can be a good thing. My tendency is to settle into them a bit too deeply sometimes, even when they go against my best interest. It can be a bit of a flaw for me. I have stayed in situations I should have left long before I did. What can I say, I like the comfort and familiarity of routines. They have made it easier for me to settle into periods of work and creativity. 

Now is the time to turn the page on the noise of the past year. There will be no more annoying political text messages or ads in the mail. The cacophony of pleas for attention will fade to a murmur as we begin to look forward and plan for the days, weeks, months, and years ahead. America has made her choice and we will see where that takes us. 

My plans will not change, largely because I have worked so hard to create them and I am a creature of habit and routine. But also because I knew well before the elections that whatever happened on Tuesday that AI would continue to advance in all fields regardless of who won. It has been clear for a year and a half that with the billions of dollars being pumped into all of these AI companies things would continue uninterrupted on the path towards AGI. That is why I knew my plans, which don't necessarily rely on us reaching AGI, would not change as a result of the elections. I just need the Gen AI tools required to create movies and TV shows to improve just a little bit more and I'll be happy.  

I'm a simple man who loves to create stories and share them with others. Making movies and TV series has been my dream for a quarter century. I don't need fame, but I would like to share stories that I believe people might enjoy. With Gen AI that is possible. Without Gen AI it is far less likely, if not impossible. It's that simple. And like I said, I'm a simple man. The path has been clear for some time now. I'm just waiting on all the right tools to drop so I can proceed. We are getting so close. 

You can see on Twitter (X) that people are leaving in droves. Some probably stuck around just for the election. Would they have stayed if the results had been different? Maybe, maybe not. It is my favorite platform -- has been since 2010. It is still the platform for all things AI, even if it may become less of the world's town hall than it had been for nearly two decades. I need those updates so I can keep up with the changes in technology that have begun to reshape the world at an accelerated rate.

I am still debating whether to pay for a subscription. We'll see. If I feel I can start my business within the next few months, I may pull the trigger by the end of the year. I have several irons in the fire, so to speak, so I will have to see how things play out over the next few weeks. Whether I can start my business as I have been planning these past few months or not, I have every intention of using AI to create movies and TV shows. Which will eventually be its own business. However, while the tech is getting closer and closer to where I need it to be, it is not quite at the point where I can actually start producing full productions at a quality level that viewers will accept. 

At the minimum, next year I hope to create at least one short film and one trailer for a movie or TV show using only AI tools. There are plenty of good-quality AI shorts and trailers out there now. As I predicted a year ago, AI animation is leading the way. I am confident we will see an exceptional animated feature-length movie created with only AI tools within the next month or two. And viewers will be unable to tell that it was made with AI. The Pixar-style stuff looks unbelievable today. It's only a matter of time before someone puts something worthwhile together and it gets picked up by a streaming service. 

I still have a lot to learn before I can create something like that. Pixar is not really the style I would be going for, but I am not ruling out making something with an Animated style first as opposed to life-like. I think feature-length life-like content is still six months off. Minimax and Runway have some amazing new tools that you should check out if you haven't already and are interested. And I have a feeling Sora could be dropping any day now. The elections are over and there is no longer any reason to hold it back.

It is time for me to refocus my attention on my personal goals instead of stressing about the future of the country. Election day is over, and the dye has been cast. I hope we all can come together and face the future in a positive way. 

Early Days of Autumn

It has been six weeks since my last blog post. The season has changed and the temperature is starting to cool as we head towards the end of 2024. A few years ago, I was only posting a couple blogs a year because life was just ticking by. I was releasing a new book every few years and working on screenplays and such but it had all become pretty routine. Over the past year and a half things have become far more interesting, and so I found myself wanting to communicate more about it all.  

Six weeks ago, I was wrapping up my review of AI video models. Since then AI Video has taken further steps forward. Runway, Luma, and Kling have improved. Models like Minimax have also been released. I am finally seeing some emotion in the generations. I wouldn't call it acting as the emotions seem more like commands than actual human emotions in response to anything. But it is the first real step towards AI acting out a role. 

I haven't done much with the trailer for the TV series over the past six weeks, mainly test shots with the new features rather than trying to piece things together into something resembling the script I wrote for the trailer. And of course, keeping up with all the updates. My focus has largely been on the APP I have been thinking about for a year and a half. 

To my delight tools like Replit and Cursor have made vast improvements over the past six weeks, which has done nothing but validate my decision to focus on creating my first APP. When I made that decision to focus on the APP as opposed to using GenAI tools to help me create a trailer, or illustrate another book, I had no idea that it would get so much easier for people like myself (someone who has only taken one basic coding class) to actually create an APP. But then that is why I decided to pursue AI with such vigor because it was evident that AI would help in ways that I had thought of and ways I had not, and that the change would continue for the foreseeable future. 

My process remains the same despite these great advancements in APP creation. It will just make it easier for me and may limit how much outside help I will need along the way. I won't be talking about the actual APP until it is fully ready to go but I am more than happy to talk about my process. 

One week after my last blog I saw a video with a young child using Cursor to create an APP. That's when I knew for sure the APP was the best thing to focus on. That was also the same time I had some real-life stuff take precedence for two weeks limiting what I could do regarding R&D with the APP. While I got some planning work done during those two weeks the hard yards were delayed as I dealt with some things. 

I had decided in mid-August that I would use ChatGPT to create a GPT as the first test phase for the APP. During that final week in August, I took another class on Coursera: OpenAI GPTs: Creating Your Own Custom AI Assistants. Once I had completed the course and September rolled around, I was ready to focus on the APP in earnest. 

While I have created several GPTs over the past ten months and thought I had a good grasp on them, I wanted to make sure I was getting the most out of them. The plan was to create the GPT, test it, and then transition to taking what I had learned and separately creating the APP. 

Once I realized that I liked the results I was getting from the GPT, I began testing it and getting some feedback from others. It was behaving how I had hoped, for the most part, and others were seeing the value it provided and appreciated my plans for the APP. 

Because I liked what I was seeing from the GPT I began to wonder if I could use the GPT in the APP or if I had to start from scratch and independently build the functionality I was getting from the GPT. Turns out I can use the GPT in the APP and that my APP will be what is called an AI Wrapper, something I didn't really understand until recently

I asked o1: What is an AI Wrapper? 

o1: "An AI Wrapper is a simple software layer that makes it easier to use an AI model by providing a straightforward way to interact with it. It acts like a protective cover that simplifies complex AI functions so developers can use them without dealing with the intricate details."

Until earlier this month, I had thought of AI Wrappers in negative terms because I believed they were just chatbots masquerading as APPs. Then I began to do some research. I have come to realize that there are a number of really good AI wrappers out there. Some of which I use with regularity but hadn't realized that they were AI Wrappers. The more you know. 

While the APP will likely contain some version of the GPT I have been building and will continue to update, there will be other AI features built into the APP. It is geared to help people and will have Free and Paid features. Hopefully, the new Advanced Voice Mode will be a part of the GPT. As of today it is not. It's only been a day since its release and I can't see releasing the APP for a while so there is a chance.

I don't know what I will charge for the paid services, but my goal is to be able to help people and hopefully make a little money in the process without overcharging people. I have no idea if people will even use the APP, let alone pay for the paid features. 

This whole thing may fall flat and no one ends up using the APP. I would take some positives from the experience either way. I will have learned how to create and release an APP and I fully expect to make others after I finish this one. Another big plus is that I am already using the GPT myself and benefiting from the results. Having done some early tests it has already helped me do something that I have wanted to do for over a year. So, even if I were to abandon the whole thing right now I have already gained something from the experience. But I don't plan on abandoning the APP any time soon. I can see how it can help people and it is now up to me to finish it.  

My goal is to have this APP ready for the public after the election. There is too much chaos to try and wade through right now and it's not anywhere near ready for deployment. I'd like to have it ready for the holidays when people are gathering with their families. I think that might be a good time for release. We'll see if I can actually deliver it by then or if it gets postponed until after the new year. 

Beyond the creation and release of the APP, I am still scouring the internet to keep up with AI advancements. While the APP means a lot to me other aspects of the multimedia company I am trying to create mean just as much if not more. I am a storyteller after all and I want to share the stories I have already written and those I have yet to put on a page. 

Having finally seen some emotion in AI video generation over the past few weeks confirms that progress is still being made and that it will continue. Last week AI Video company Runway signed an agreement with Lionsgate to train a model on their IP. That's huge and won't be the last production company to do such a thing. Mixing live action with AI generations is happening now. Some might say it has been happening for years. It is the way of the future despite all the protests. 

One of the greatest film auteurs of our time Guillermo del Toro is not a fan of AI at all. And who can blame him, he's still at the top of his game and has not needed it up until now. While I respect the hell out of Guillermo I cannot make a pledge to continue on as I have for 20 years with little traction and expect things to change for the better. I would just have more scripts sitting on a shelf that would never get read let alone made into movies, especially with fewer and fewer production companies refusing to use AI. That's why when I saw James Cameron was joining the board of Stability AI, I felt there was a balance to be had with GenAI when it comes to filmmaking. One that will likely continue to shift over the next year or so. There will no doubt be companies that will refrain from using AI, but that number will continue to dwindle. 

The window to the past is narrowing but the one to the future is expanding by the day. Nothing would have brought me more pleasure than to have had the chance to work with someone like Guillermo on one of my stories, but that just hasn't happened. Yet I still have a desire to tell my stories and if you think I'm going to play the Hollywood waiting game anymore when I don't have to then you are fuckin' crazy. I need to see my stories come to life and I won't let the current opinion of one of my idols keep me from pursuing my own dreams. 

Yes, I will keep working on the APP, but creating Movies and TV shows with the help of AI tools is getting closer and closer every day. As of six weeks ago, I thought that you could only make a believable AI movie in animated format by the end of the year. Now, with these recent advancements, we are getting closer and closer to AI live action movies. We're not there yet but things may still advance enough in the last three months of the year that we may cross that line of believability that the general public will accept as real. There likely won't be enough time to make that movie by the end of the year but the tech may be advanced enough by then for the production of that first believable AI movie to begin production. Maybe. 

If last year was anything to go by, the release of GenAI improvements will slow the closer we get to the end of the year and may not pick back up until February or March. So, if we don't see some cool new upgrades by early December we likely won't see them until a couple months into the new year. But what do I know? I'm just trying to keep up with it all so I can continue to course correct when it is appropriate. 

And with the help of Cursor and Replit creating and deploying an APP has never been easier, which is why that has become my main focus for the time being. I owe it to myself to stay the course with the APP until its release, despite any AI video upgrades between now and then. Thanks for reading.