The Summer of Jimothy

We’re all living in the Summer of Jimothy, so it’s best to just embrace it. What fun those in Seattle have been having with our furry friend. With all the stupid and terrible things going on in the world, I’ve enjoyed watching the good-natured joy the little raccoon is bringing to so many simply by existing. It does the heart good.

In a year, it will all be different. You, me, Jimothy. That is the only thing guaranteed. We all set goals and objectives. I tend to start after the new year, once I get back into a weekly productivity groove. By February, a plan is in place, and the year starts rolling along. This year’s plans were going along just fine until we had to say goodbye to my uncle. He passed in April, but we did not say our goodbyes until June, when the family was able to all get together. He was smart, loved sports, and, most importantly, genuinely cared about each and every one of us. He had this great trading card collection that we were all in awe of as kids. He would buy us cards, often complete sets, which we always enjoyed receiving and going through. He was beloved by all of us. Even though we have had to deal with his massive card collection, it has been both an honor and a privilege to do so. But... 

As his eldest nephew, I decided to do the research that was needed in order to properly inventory the collection and prepare the family to deal with it all. It would have taken all year if I had not, and there are implications with a collection that large. Taking those steps sooner rather than later was only logical, especially with my need to work on my plan for the year. I have loved doing the research and getting things ready for the next steps, for the most part, but the toll it’s taken on my plans for the year over the past two months has set me back. I am close to the point where I need not be so involved in the process and can return most of my focus to my plans for the year.

When my uncle fell in 2021, it marked the end of his normal life. He kept having falls and other health issues that prevented him from returning to his home. The family went into overdrive to get him into a place where he might be able to have the care he needed and some autonomy. This marked the first time I ever laid eyes on the index cards for his collection. We were blown away by its breadth and substance. He had gifted us some cool cards back in the day, but his collection was a true legacy. It has been an honor to work on it. It has also had me looking into the trading card business to see what we are dealing with.

You may or may not be aware of how on fire the trading card business is right now, but it is. Some are even comparing it to the NASDAQ in terms of volume and volatility. I found out there is this place near me called Cards HQ and that there is essentially a stock market-like index that adults and kids follow as if they are day traders on Wall Street. I did not see that back in 2021, and after 2023, I certainly wasn’t aware of how hot the market had become because I had been focused on AI and not the cards, while my uncle had a few years of relatively good health.

This year, I have been able to use AI to help me with my uncle’s collection in several ways, which has really helped speed things up with document creation, research, and numerous other points of contact. Then things can slow to a crawl because there is still the human element to deal with. Some of these moments go smoothly, but others bring things to a crawl. This is one reason why I prefer to work alone at times. Me + AI = Amazing. Me + AI + Others = Still Amazing, but sometimes less so.

Working on the collection has also helped me get used to negotiating and dealing with people again, something I have had to do less of since I turned my attention to AI in 2023. There are times when an actual phone call to a person is worth so much more than an email or a text, especially when you are first communicating with someone. Then there are those who just are not as good at communicating. The less I say about that, the better, but it is an issue when disparate people are involved in a project. And I do treat my uncle’s collection as a project—one that I worked on from late 2021 through mid-2023 and then again from this April to the present. No one knows the collection like I do.

It will feel weird when it is gone. Not just because of the five years I have been truly aware of the collection in its entirety, but also because of a lifetime of having been in awe of it. My uncle and that collection were both quite incredible, so it is fitting, I suppose, that they should both leave the family in the same year. He may have stopped collecting in the late ’80s, but my uncle put his heart into that collection, and he shared his passion for cards with us. It is unbelievable to see where the trading card hobby is now.

Beyond all of that, I have made some good progress with my creative pipeline—not as much as I would have liked, but enough to still feel on track to begin, hopefully, a steady flow of creative content by year’s end. What do I mean by steady flow, and what is this pipeline I am talking about?

I spent the first three months of the year taking classes focused mainly on agents and deepening my journey with Claude while also continuing my work with OpenAI. I regret not starting to use Claude sooner, but I am glad I began when I did because using them both together is magic.

Around the beginning of the year, I all but abandoned work on the three apps I had been working on. I hit a snag with 1st Draft when I began incorporating real-time features because of the browsers on cell phones. I was reluctant to make it a full app because of that issue, but had I done so, the issue would have gone away once it was an app and no longer a web app. Live and learn. By December, it just didn’t make sense to keep my main focus on apps. Yes, I wanted to help people with the apps, but they had chewed up so much time last year that I needed a change.

Besides, what I believed would happen with apps and software last summer while working on the app happened. I, like many people, pride myself on being able to imagine how things might work out, and then sometimes they do track similarly to what I imagined. But I felt last summer, as I was knee-deep in creating the app, that it was all futile and that very soon everyone would be able to create the software they needed for specific situations. And sure enough, that is now possible.

In December of last year, the buzz over agents hit fever pitch, and I began to dream of the second part of STORiCORE that I wanted to create. It focuses on my own writing work and transforming my written work into other formats. I have several dozen unproduced and unpublished stories. I decided I would build what I dreamed of back in 2024, where I, with the help of AI, could create comics, graphic novels, podcasts, trading cards, video games, interactive content, movies, and TV shows.

I would have liked to use all these other tools that others had created, but they each cost a lot of money to use. And instead of doing that, I decided to create my own creative pipeline. What the hell does that mean, Pitters?

It means taking what I learned from those classes, from building and working on several apps, from writing in different formats for 30 years, and from all the other things that I have learned in a lifetime, and using all of that in tandem with Claude and OpenAI tools to create a pipeline that helps me create my stories in different media. I have built it to help with comics, trading cards, graphic novels, podcasts, games, movies, and TV shows. The last three are meant to be updated later, once the tech is good enough and I am ready, but they are wired into the pipeline and just awaiting my go-ahead. Once I decide it is time, I will begin work on those formats. But not yet. No. I want to get as good as I can get with comics, graphic novels, and trading cards so that I feel confident I can return to them later without missing a beat. That has been my objective with everything I have learned through the years, AI and storytelling alike.

My focus since I began testing things with the pipeline has been on comics, graphic novels, and trading cards. The comics are a way to serialize the stories in the graphic novels. Why? So I can release three, four, five, or more digital episodes or comics over the course of months before releasing the graphic novel in digital and physical form. I am also thinking about doing different versions of the trading cards: 1) a story-based version, 2) a character-based version, and 3) a possible game version. Most of the first stories I anticipate telling through the graphic novel process are part of larger story universes. Some of them are ideal for gamification in many forms, and I intend to explore that. Graphic novels and story gamification are both things I have wanted to do since I first started writing screenplays and began imagining these worlds.

So much of my work has been inspired by anthology movies like CREEPSHOW and TRICK ’R TREAT, which tell more than one story. It has been one of my favorite formats, and I always saw them as either movies, TV series, or graphic novels. I did not possess the ability to create them on my own. Years ago, I tried to get an artist friend of mine to help me create my first graphic novel. It never went anywhere, and I began to think that all those stories would just have to be told as books. So, my movement into writing books was largely because I did not think I would ever get to make these stories as movies, TV shows, or graphic novels, and definitely not as the games I imagined but had done so little to explore. Games are something that I never thought I would ever have a chance to create, but they are also one of the most exciting media I look forward to exploring. Why? Because I want to put viewers into the stories... literally. Back then, the best option I had available was to write my stories as books. I am glad that I had to take that path because I learned so much and gained confidence.

I think of my novel writing a lot like my app-making. I did both because I could not do what I really wanted to do, which was create movies, TV shows, graphic novels, and video games. Back in 2023, I began the process of learning how to create a graphic novel. My first step was to create an illustrated version of MICHAELMAS. The image generators were not good enough for me to create a graphic novel. Some people were doing some amazing things at the time, but I was not skilled enough to pull off a graphic novel, so I focused on doing what I could do. That’s a good way of doing things for me because I often try to bite off more than I can chew, and reality spits me back out. So, I adapt and do what I can.

Could I start off by focusing on video? Sure. Some of the models have gotten very, very good. But I have a lot of things I want to do, and time has become more valuable recently. So, I decided it was best to focus on comics, graphic novels, and trading cards. As you now know, my uncle, who passed earlier this year, was an avid collector of trading cards. What I did not mention is that another of my uncles, who passed over a decade ago, was an avid comic book collector. He lost his entire collection in a flood. I can only imagine how devastated he was by this. When we would visit in the summer, we would love looking at the collections of both uncles. It was part of the fun of visiting in the summer.

It seems appropriate that I am focused on creating both comics and trading cards. I have even found a way to honor them both by offering a version of the trading cards that will be called the Two Uncles Collection. I am a big fan of non-sports trading cards. My uncle collected a few of them, but the one that is the most important to what I am trying to do is the MARS ATTACKS set from 1962. The cards tell a story. I will likely create multiple sets for each full story I make into a comic series or graphic novel. I will probably keep the Two Uncles Collection strictly focused on the story, while other sets may focus mainly on the characters or some kind of game. There are options, but I really like the story version. That is the reason I am doing all of this: to tell stories.

I have been reflecting on the past three years since I started using AI. It is interesting how it took me a while to figure out what I was building toward. But with the Story Pipeline, I have finally created something that will help me do what I have always wanted to do—something I started to dream about when I first started writing, something that was reawakened in 2023: the desire to create comics, graphic novels, cards, podcasts, interactive content, games, TV, and movies.

Thirty years ago, the sky was the limit, and I dreamed of massive projects that I wanted to see on the big screen. But after two decades, I began to doubt that they would ever exist as I had imagined them. Eventually, I had all but given up hope that my favorite stories of all time would ever be read by people, let alone be seen on a screen. I spent so much time over the past thirty years trying to get others interested in my work, with little to no interest, that I even grew tired of trying. 2024 was the last straw.

I created this amazing TV series that I envisioned using AI in different ways after normal production had wrapped. I imagined all sorts of cool things that could have been created using AI in one way or another: choose-your-own-adventure experiences, podcasts, cards, games, and interactive environments meant to be used with the Apple Vision Pro, a product that showed promise but that very few people seemed to want. No matter. I was imagining ways to use AI that would be viable, and with the creative pipeline, I could create most of it, if not all of it, on my own. I am focused on comics, graphic novels, and trading cards for now so I can generate enough content to help get the ball rolling.

I won’t be satisfied until, in a single year, I can create the graphic novel package, the movie or TV series, the fictional podcast, and interactive media like games and Vision Pro-like experiences that I imagined with THOUSAND SPRINGS. It need not be that TV series, but that would be a hoot. In the summer of 2024, I envisioned where AI was going and how I could use it to create something like what I envisioned for THOUSAND SPRINGS, then deliver all of it using only my story, the pipeline I created, and the best AI tools available. Delivering all that I laid out back then would be freaking awesome.

Based on how things are and how AI is developing, when do I think I could run a single story through the pipeline within one year? If I wanted to do it sooner rather than later, it would probably have to be a single movie to do it in a year. I think that could be done now. But the cost is going to be insane, especially for the movie and game parts. The rest is far more cost-effective, which is one of the main reasons I am doing what I am doing. The education part is baked into this as well because I would have to learn more about the tools used for some of these media, especially gaming.

I will probably start small with video and gaming because of the cost and the additional time needed for learning. The cost could continue to go up, and that has a major effect on long-form storytelling with video. Plus, I can’t afford to spend a week on each and every scene. I want to be an efficient director and say, “Cut,” and move on within one or two takes. If it takes 50 takes for every scene, it will cost a fortune and take forever. Not ideal and therefore to be avoided. That means it may be a little while before I even venture to attempt video in the pipeline. I will continue to test the models, but actually venturing to create a movie might take a few more AI video updates before we take that step. I have been wanting this ever since 2023, but I have learned to throttle back on my expectations for AI video because of the scale I would be working on.

I could possibly try it with HOUSE FLY. It is part of a larger story universe, but it has always been meant to stand alone. If I were to try to put one story through the entire pipeline, it would be one of the best options. The story is conducive to a game as well. It is the story that I am starting with anyway. I might as well make it the guinea pig for the entire pipeline.

Huh, not a bad idea. Do I think I could run it through the pipeline and be finished with it all by this time next year? I would need to raise funds to even attempt to do it in that time frame. Otherwise, it may be unlikely to happen within a year. But it could still be the first to go through the entire pipeline and emerge with a graphic novel, a movie, a game, and more.

I can foresee running HOUSE FLY through the pipeline several times just for the graphic novel, creating different versions as I improve the pipeline in different ways. I’ve already had to do that in a fragmented way numerous times. So, I can 100% see myself wanting to come back and redo HOUSE FLY a year after releasing the graphic novel. Whether I do it or not will be something else altogether.

Needless to say, I am excited by the progress I have made this year. It has helped me put the past year, as well as the past three years, into perspective. There were times last year when I was questioning my choices as I worked on the apps. Was I wrong to focus on apps ahead of my own creative work? If you had asked me in December of last year, I might have said yes. But what I learned last year is more important than the apps I worked on. I had wanted to learn more about coding for a decade. The one coding class I took back in 2015 did nothing but tell me that I still had a lot to learn. And I had wanted to learn more even before I awakened to AI in 2023. So, the work I did over the past three years has allowed me to harness all that I learned over the past thirty years and shape that knowledge into something that will help me achieve what otherwise would never have been possible. And you cannot put a value on that. All I can do is put my head back down, get back to work, and wish you all well on your own creative journeys.

TWENTY SIX

If I were to approach 2026 as if I were twenty-six, how would I proceed? When I was 26, I felt all but invincible. I had already seen cracks in the facade of reality, but they were cracks and not giant chasms. I was in LA and had witnessed Nancy Regan being ridiculed by those closest to her, or at least those who were in her orbit. I was bartending a gig up in Beverly Hills and overheard these two idiots sitting at my bar, with the former first lady sitting alone at a table only several feet behind them. They were either her aides or some family relations. I've only brought it up a few times, but that moment stuck with me. Why? 

I thought it was disrespectful. The former president was still alive but suffering from Alzheimer's disease, and here was his wife still going to social functions, and instead of supporting her, these clowns were mocking her. It was pretty clear they had not taken her advice from the 80s and just said no to drugs, either. These guys were obviously living out of their noses, and it seemed so weird to have the woman who coined the phrase "Just say no to drugs" sitting there by herself as these insignificant clowns were geeked out of their minds, making fun of her. The irony was not lost on me.

I saw a lot of things back in those days. Not all of it was tinged with humor. My few years in LA were sensory overload, and I was kind of just taking it all in. My acting career was winding down, but my storytelling journey was taking shape. The century was nearing an end; I was primed for just about anything. 

A lot of water has passed under the bridge since then, though I still feel a connection to those times creatively. I know we are only granted a short stay here on this rock, yet I have always felt a need to be a part of the storytelling process. Whether that be as a consumer of the stories others tell, or in telling my own. 

When we are children, a great fiction is created for us. One such example is Christmas. It is a joyous time of year, but at its heart is a great fiction wrapped up in pageantry. A fiction masquerading as something wondrous, but also hiding its true meaning. We grow up and learn the truth about the world, and realize that these fictions are created to keep us happy and to provide us guidance. When in reality Christmas is the most important time of year because it marks the passage of time, and the beginning of a new year. I am not picking on Christmas. I love Christmas and celebrate all of it. I appreciate it for what it is, the history and deeper meaning of it, as well as the religious story wrapped around it. This is something every kid who celebrates Christmas must confront as they get older. It is a big part of growing up, and the falling of the veil of illusion should be something that is studied in greater detail. 

When I was 26, I thought a lot about such things. I was reading and writing poetry every day, and I was breaking down the doors of perception in an effort to better understand myself and the world around me. I miss those times. It was when I learned how to live on my own and not be codependent. It was a time of liberation and the dawn of big creative ideas. 

I am so thankful that I never became a celebrity actor. Sure, the money would have been nice, but the ability to disappear cannot be overvalued. I can't imagine having cameras snapping my picture anytime I sneeze in public. Awful. Did I ever want that? No, I wanted to get lost in an acting role that I truly loved, but I never sought fame. I wasn't cracked up for it, and I was never close to achieving it, thank goodness. 

In 2026, after spending much of last year slowly getting STORiCORE off the ground, I am eager to tell more stories. I have a novel series all but completed that I have been sitting on for years. Michaelmas is a part of the series. I am debating doing what I did with Michaelmas, which is to release it as an illustrated series. I've thought about releasing it as a graphic novel series, or even releasing it in even shorter segments as more of a comic series. I have a few other pulpy series that I could release as graphic novel series. There is also this novella/movie script I'd like to write. Could it also be a graphic novel? Yes, but I just want to get lost in writing again. 

I'd prefer to create graphic novels out of TV series or movie scripts I've already written. I have a dozen or so to choose from, and I can't see my first graphic novel being something I write from scratch. This is one of the main reasons I started STORiCORE. To produce fun and exciting content in different formats, as well as creating storytelling related apps. 

Last year, I came up with a few story ideas that I need to write as well. One of those would be a new type of story. New for me, at least. I've thought about writing an autobiography for several years, and I will at some point, but my new story idea is instead a fictional semi-autobiographical story inspired by my own experience over the past few years. 

While I have a number of stories I have been wanting to write, this is my first quality story idea of the new year. Last year was all about starting STORiCORE, my first "official" company. As a writer, you are your own company, and when I created a few short films a decade ago, I produced those as if they were each part of my company. So, I had been laying the groundwork for a while. However, I never filled out the paperwork and paid the fees to actually be a company until last year. 

The 1st Draft App was only the first app I intended to create. It is a tool that I am using and will continue to use in my writing process, but I made it for anyone wanting to write a story. It is meant to be used from the first idea until the completion of the 1st draft. It's simple and easy enough to use that anyone could get great value out of it. 

I have had second thoughts about moving forward with two other apps I had been wanting to create without first having a period of reflection and learning. The tools to create these apps are improving quickly, and I was locked into my process for a while. I need to get caught up. Also, another app has come into focus over the past six months. It was one I was not intending to create until I completed the other two. But I now feel like it may be the one to work on. I say one, but actually, it will be a combination of several apps in many ways. And I will create these different parts separately before combining them. Unless it makes sense to just combine them all at once. We'll see. I was thinking about possibly making them stand-alone apps before unifying them. 

Something I realized over the past few years is that with AI improving so quickly, we will reach a point where some people will just be creating their own apps, and then personalizing them for their own workflow. Not everyone will do this, but they could if they wanted to. We are there or thereabouts now. The ability to create apps on the fly has become possible. Are they perfect 1st time? Not really, but with patience and iteration, they will be close to fitting your specific workflow. There is an expression that has stuck with me that I heard last year: The Future of Software isn't Software. 

I believe we have entered that era. Soon, schools will be teaching how to create the tools students will use in classrooms designed specifically for how they learn best. At that point, the only ones not able to create an app on the fly will be those who never needed to learn about doing so. Right now, that constitutes most of the people alive on this planet. That will change over time, and in 25 years, most people on this rock will be AI literate. 

When I started down this path three years ago, I was aware that the window to build and share with others what I create with AI would be small. It is shrinking as I write this, and will likely be closed before 2030. After that is anyone's guess what happens, but I would not be surprised if a majority of us are all living in our own self-created bubbles. 

World models are being talked about a lot right now. If there is a proper world model by the end of the year, then essentially all I talked about in a TV show bible over a year ago will be possible, and I could, at that point, create everything I talked about in there by myself. I could use AI tools to create the TV series, the music, the fictional podcast, and the video games that would allow a user to have an individual experience set in the world of the TV show. While I could create it all myself, it would be extremely difficult to do so. I would need AI agents to help, and maybe that could cut down on the time to create it all. But even if that were the case, it would take a long time to complete. Probably years. However, I don't know what the AI Agents will be like once these world models start rolling out. If history is an example, then world models will not be perfect when they first roll out, and it will likely be DeepMind, OpenAI, Runway, or Midjourney who will release it, followed shortly thereafter by a Chinese version. Because nothing AI-related has been perfect when they first roll it out, and it usually takes another year or so to get to a point where a new AI tool is more broadly useful. 

So, let's say by late summer, we see the first true world model. It will be cool, and we will all be blown away, but it won't be perfect. But the other tools (video, audio, image, etc.) will be good enough by late summer to begin on the creation of a TV series like the one I have been thinking about. Will I begin work on it at that point? I will at some point. Not sure if it will be this year, though. But technically, I think this is the year that if I had the funding, I could begin on it. Would it actually take me years to complete all that I had laid out in the series bible if I did it all on my own with the assistance of AI tools? Probably. Unless agents get a lot better. Even if I learned all there is to know about all the tools that I would need to create it all, it is still a massive undertaking. If I were 26, I'd still lack the confidence and knowledge to have even completed the series bible and written 1/2 of the first season, but I might feel emboldened enough because of AI to at least get the ball rolling at all costs.  

There may come a time when I could do it all much easier and faster, but even with these tools being as good as they are now, it would be inconceivable that I could complete it all on my own anytime soon. I'd love to try. Maybe someday. Sigh. 😟

Until that time, I think it is best to just keep learning about everything AI that can help me create all that I can. With a focus on apps and releasing story content in one format or another. Once I have enough knowledge and the tools are good enough, then maybe I can build the world of that TV series I envisioned. I think you will love it. At least some of you. It's dark and a bit twisted, but relatable. 

I was asked about my New Year's resolution this weekend when out hiking with a few friends. They all had reasonable resolutions, but I didn't and don't have any. I'm not sure why I didn't make any. Maybe because I feel like they are silly. I make plans, and I try to complete them each year. That's not really the same as a resolution to lose weight or not be so overreactive. Would I like to lose a few pounds and become more Zen? Sure. But I have enough big plans for the year to not worry about keeping some meaningless promise to myself just because it's another year in the books. 

One friend joked when I said I hadn't: "Why not, because you're so perfect?" To be honest, I have enough on my mind that a promise to myself to try to lose weight seems like a waste of mental energy. In years past, I have definitely made New Year's resolutions, using the passage of time as a great starting point for change. However, I am in the midst of massive change, and adding something else onto the pile just didn't cross my mind. Maybe in the years ahead I'll buy that Peloton and use it for a month and then abandon it, but not this year. 

That's a Wrap on 2025

How to sum up the past 12 months? 

My priorities have shifted over the past few years. Pre-2023, I was content to just keep on keeping on as far as writing. For 2 years, I wanted to learn about everything AI. This time last year, I began the final process of building something I have been building in one way or another for 30 years. A creative company that embodies my passion for storytelling and my desire to help others tell their stories. Hell, I did not think I would be able to properly tell all of my stories the way I have wanted them to be told, or be able to help others tell theirs, until OPENAI released GPT4. I thought the only way I could help others tell their stories was through the hope that they might take some inspiration from what I wrote and use that as fuel for themselves to create something or think a little differently about the world than they had before reading one of my stories.

Before 2023, I thought I might write a few more books. Maybe publish a graphic novel and sell a TV series. And possibly write an autobiography that might inspire a few others to tell their stories. 

To then have the lights come on in the way for me that they did, as far as the opportunity to supercharge me into being able to, with the help of the advancements in AI, accomplish so much more than I believed I could at this time three years ago. In December 2022, I was not dialed in to the change taking place largely behind the scenes. I should have been prepared for it, but I did not see it for another two months. 

When the lights switched on, and I began taking in what was happening, I knew I had to change my plans. I needed to adapt. 

Year 1 (2023) was about realizing that massive change was afoot, and if  I truly wanted to make the most of my storytelling abilities and desire to help people, then I had to fully immerse myself in research. Thankfully, I love research. So it was an absolute joy to learn about LLMs, deep learning, AGI, image generation, video generation, sound generation, context windows, prompting, and on and on and on. Two regrets came to mind in March of 2023. I should have continued learning about coding after I took a class years earlier, and I should have been more aware of the changing landscape of AI. I was so far behind and was desperate to learn as much as possible by the end of that summer. Back then, I was thinking about graphic novels, so by the fall of 2023, I was focused on image generation to go with my stories. 

Year 2 (2024) was a year of big dreams. I had just released an updated illustrated version of my book MICHAELMAS, and I was up to date with what was going on with AI. I was also keen to deliver a kick ass pitch package for a TV Series that I had been working on for a while. Brimming with confidence about what I could do with the help of AI, I knew that the TV Series was perfect for the AI age. I developed an immersive fictional podcast that could tell a parallel story to that of the TV series. I envisioned several video games that could be released during or after the first season had aired. I learned that while I was locked into AI, the script market was shit to try and sell such an ambitious project, and most were still behind as far as what was happening with AI and where we were headed. I was at that moment ahead of the curve, so to speak. That summer was important for two reasons. First, my disappointment made me think I should do all that I can to be able to create that TV series myself with the help of AI; the only thing was, the tools were not good enough yet. Second, coding tools emerged and made me realize that it might be better to focus on helping others using what I have learned over the past 30 years. By this time last year, I had begun planning a company and already created a Custom GPT version of the 1st Draft App. 

Year 3 (2025) has been one of massive change. I try and avoid politics in this space, but DAMN. On top of that, I became a solopreneur and created STORiCORE LLC. A company focused on my creative storytelling and my creation of tools (APPS and Content) to help others tell their stories. A multimedia/ software company. As is often the case, my expectations were SUPER HIGH for the year. I was confident I could complete so much more than I did. It seems to happen every year, but this year was different because I was attempting that which I had never done before. In past years, I had focused solely on my creative accomplishments. This year, I took a massive leap by putting my trust in AI to help me with things I had never done before on a large scale. I planned for 3 apps, a podcast about the apps, instructional videos and guides, short films, and god knows what else. It was a proper plan. I knew I would not be able to accomplish all of my goals. 

The widespread hatred for AI was not something I expected. My lack of coding and design experience slowed things down, as did my limited resources. I could not force myself to spend thousands of dollars a month using AI coding tools to try and expedite the process. So I determined that learning how to build an app to better be able to build others was more important than vibe coding at breakneck speed to complete something I would not really understand. I may never be a programmer who can code an app on their own without AI, but I now have the confidence and enough knowledge to complete all three of the Apps with AI and some human feedback. Here is where my regret of not sticking to my efforts to learn about coding all those years ago appeared. Had I brought just a little more coding knowledge into the year, I would have made fewer mistakes along the way. Regardless, I have released my first app and have my first update to announce.

I created 1st Draft with cost as a top concern. I wanted to create a writing app that anyone could afford, and that was easy to use. I have created a version of the app that is all that I need. However, I am not the target audience. The current version is a great version using GPT4o-Mini and GPT5-Nano as your two interface models. While I have these models responding the way I want them to, I realized after using my Custom GPT two months back that I needed to have a Realtime version as well. The cost has gone down enough on the API that I can include it for every user! Originally, I thought I would have to make it only for Pro users. 

So, in the new year, I will be adding Realtime to the app, and it will allow for more lifelike exchanges. I may reduce the price even more. Currently, a free user gets 10 voice responses or 30 text exchanges a day. A Starter Plan is $5 a month or $50 a year, which provides 60 minutes (for Legacy Models, while Realtime will be around 40min) of Voice exchanges and 150,000 text tokens a month. Likely enough for a lot of users. The Pro Plan is $15 a month or $150 a year, which provides 300 minutes (approx. 200min for Realtime) of Voice exchange and 750,000 text tokens a month. This is what I need because I always run out of voice minutes on my test Starter Accounts. Sixty minutes is fine for light users who won't be using it every day, but for those who are deep into the telling of a story, the Pro plan is ideal. You can check out the web version of the 1st Draft App for free here. Once I have Realtime integrated, I will be putting the app on the app stores. 

What I was unable to achieve this year was the creation of any other apps. I did make several versions of the second app, but I didn't like them. Probably because I never really focused too hard on making them properly functional. There is one of the 2nd app versions that is ok, but I need to make some massive changes to make it appealing. Anyway, I had a different approach with 1st Draft, creating it from scratch using my own designs, using my own ideas as opposed to letting AI design it. It has been rewarding to build it that way. I tried to let AI do most of the other designs, for every version of the second app, and I have been less than impressed so far. Also, with all the backlash towards AI, I am a little reluctant to make the other two apps the way I had envisioned them. I like some of the options I had planned, but there is feedback coming in regarding tools that are similar in some ways to aspects of my two other apps. My goal is to help people, not to cause any distress, so I have to take additional care when creating those apps. I achieved what I wanted to achieve with the 1st Draft App, and if I never create another app, I know for a 100% fact that I have created a tool that can help me with my storytelling. And if it can help me, then it can 100% help everyone else. So, I am proud of what I have achieved this year, even if I did not accomplish all that I wanted. 

I never seem to achieve all that I set out to do in a year. I'm not sure why I make such ambitious plans. Maybe it is because I need to work myself up to keep motivated throughout the year. Who knows. I'm not sure I could even complete this year's plan next year. That is how overzealous I was this time last year. I was sure that AI coding tools and autonomous agents would help pick up all of my slack. That did not happen. Largely because I wanted to to be in there up to my knees and elbows building 1st Draft from the ground up. 

The tools have all improved. No doubt. But there is great trepidation in the world regarding AI in 2026. Jobs are one of the most talked-about issues regarding AI these days. More importantly, how AI is likely to eliminate the need for as many people. I have thought about this a lot. And it makes me wonder why some of the rich and powerful people are also saying that the world's population is too low and that we need more people. I don't get the math. If AI is going to take all of the jobs, why do we need more people on the planet and not fewer? It doesn't make sense. Unless those rich and powerful people are not being truthful. Which, let's be honest, would not be a huge surprise. The surprise would be if there actually was a good reason for needing the world's population to increase. 

In the past, the rich and powerful needed more people to do their work and buy their products. But if they don't need people to work for them, and those people don't have any money because there are no jobs, then why the hell would you need more people? Will they still need consumers once they achieve lift off? Once AI can self-improve the game changes, or at least we enter a new phase where the old world disappears and new rules are written. 

People are important as training data to create something smarter and more efficient than ourselves. It is sad to think about it that way. Even if we needed more people to colonize other worlds, which we don't right now, who wants to live on a dead ass planet? We would have to find an Earth-like planet or have terraformed one into an Earth-like planet to actually colonize it. Last I checked, Mars is still a dead ass planet that looks boring as hell. Let robots go out and create another version of Earth, and then maybe you can get a ship of humans to venture from this planet. Until then, I do not believe we need more than 8 billion people on this planet.

While I used some of my own money, I was fortunate enough to secure funding to help me get STORiCORE up and running this year. For that, I am so grateful. However, at some point next year, I will likely be reentering the job market. I have grown so much this year, and I am thankful for what I have been able to achieve. For STORiCORE to be self-sustaining, I need to keep learning and building, but most of all, I need to be telling my stories in one or more formats. Is that possible by the end of 2026? Of course, it is possible, but I have a different perspective on the end of the year compared to when it began. 

The world changed a lot this year, and much of it was not for the better. Knowing AI is getting smarter and smarter, and we humans are being treated worse and worse, does not bode well for the future. The gulf between the Haves and Have Nots may become an impossible moat to cross. The AI-powered haves using the best AI systems will run away with it all, and the have-nots will be left trying to keep up using inferior versions of AI systems and living off the scraps. Will there even be a middle class in 20 years? Or will we all be living on modest stipends with little value to the world at all? Do we really want humans just running around the earth being jackasses because they have nothing better to do? We all need to have some purpose to our lives. The struggle is real. It is a part of our DNA. I would do well with a stipend because I am a storyteller, and telling stories fulfills me and gives me purpose. 

"You can just do things." 

 

It was a tweet from OpenAI's CEO at the end of last year. I now think about those 5 words differently than I did last year, and I believe I am not alone in that. If no one has a job and most don't have any real purpose in their lives, people will just start doing things. I was a teenager and a person in my 20s once upon a time. I was lucky to survive those years because I thought I was invincible and believed I knew more than I actually did. Monitoring people into submission seems like the plan for the future. Meaning you won't just be able to do things like we used to. That creates pressure, and pressure needs to be released. That means tension. 

If you think it was hard to think about what you wanted to do with the rest of your life when there were endless possibilities, but a need to make money, think about what young people are going to be thinking about. The options will be limited and not endless, and you may not need to worry about money in order to live. Again, for people like myself, this is not a bad thing, but I have become the person that I am over the decades. There are positives but also a lot of negatives for the path we are all on, whether we like it or not. AI will continue its takeover. Just look at the economy being held up by tech companies doing this circle jerk of investments with each other. 

The faulty AI systems before this past summer were not good enough to make the impact all of these companies were hoping to make when they saw GPT4, like the rest of us in 2023. But there have been some massive improvements this year, and the new AI systems companies use to automate in 2026 will start to show significant improvements, and the adoption of these workflows will begin to be utilized far and wide. AI Customer Service will improve, robotics will improve, and AI agents may start running businesses. It's a lot, and it's all happening now. 

I, on the other hand, am not making such grandiose plans for 2026 as I did for 2025. No need to pile that pressure on myself. I will keep on learning, keep on creating, and keep on working towards my long-term goals. After three wonderful years spent figuring out how AI can help me achieve long-term goals, I think it is time to take the new skills I have attained and make myself available to others before the robots take all our jobs. 😟

As of right now, my goal for 2026 is to make 1st Draft a great app that helps people tell their stories and to join a team of like-minded people so I can further help others. Life is precious, and we need to enjoy it and spend time with those we love. Beyond that, as long as things keep moving in the right direction, then I am good. 

Happy New Year! Wishing you and yours a healthy and prosperous year ahead. 

Hot Dayz

This marks the fifth blog I have started since my last post in March. Sixth if you count the one where I literally only opened a new post and never actually wrote anything. No, we aren't counting that one. So, the fifth blog post started since March. I didn't publish the others for one reason or another. 

The first blog I started but never published was all about ChatGPT's image generator, which created the Ghibli craze that swept the planet. I was excited by it but I lost interest in the post after a few paragraphs. 

The second was titled "Status Report". I wrote it in late April, and it touched upon vibe coding and AI in general, even reflecting on what things might have been like if I had access to these AI tools back in my 20s. While it would have been amazing and changed a lot in my life, I do worry about future generations of people who may never know what it's like to have to think for themselves. To make decisions on their own. They will probably make better decisions, but I can't help but worry that they may be missing something in their development. Stick-to-itiveness, good judgement, the ability to think for oneself, these are what I fear may go the way of the Dodo. If everything is done for you, if every decision is not truly your own, if you lose control of your own narrative then we as a species will be nothing more than a flightless bird lost at sea. 

The third blog post was also in Late April, around the time I originally hoped to release the app. I didn't get too far into it, but it was an ode to GPT-4 and its retirement from ChatGPT. 

The fourth was started in mid-May and was an introduction to my new company, as well as a status report on my plans for the company. It was during this time that I realized I was falling behind on the creation of my first app. I had set out several possible release dates back in February when I began this process towards creating a multimedia company. Step one is the release of my first of three apps. 

I have learned a good deal about building apps with AI tools. I tried vibe coding several apps during this time, between February and mid-May. However, I wanted more control over what was being done with the design, and since I had never created an app before, I also wanted to use the time to actually learn about coding. Not like I would ever try to code an app without AI, though. That would be a waste of time. However, I didn't want to just press PROCEED every time either. I am an old gearhead, and I have always been someone who likes to tear things open and see how they work. 

Because I choose to try and understand what makes things tick, the first step in building this new multimedia company --creating the first app-- has taken longer than I would've liked. My plan was to have it out and available by the end of May. That obviously didn't happen. And, to be honest, I was disappointed in myself. Can't cling to that though. If I had just vibe coded the whole thing that might have been possible. I won't go into my entire process just yet, I'll save that for when I can reveal more about the app, which will begin two weeks before its release. How far are we away from that? I'm kind of done trying to predict anything with this app. Yet, I was put on the spot the other day and said my goal is to be done with the app by mid-August. My hope is to release it by September. Fingers crossed and knock on wood.

As much as I have loved building this app and learning about the process, I've gotten to the point where I want to move on to other things. It feels like I haven't done anything with my stories in forever. AI video tools have gone off the rails these past few months, and I haven't been able to dig into that since April. Anyway, we are getting closer every day. I can see the finish line.

I decided to focus on the web app and avoid the headache that is the Apple App store for now. My initial plan was to try and do the initial release just through the app stores. However, that would likely delay things even more. So, a web app and a google app will have to suffice to begin with. I'll add Apple later, once I get my feet under me and we are up and running. This will save me a week or so.

With that time saved, I felt today was as good a day as any to actually introduce my new company. I say new, but I actually spent much of March and part of April starting the company. Who knew that getting a mailbox would require a video call with a notary.

I created an early website for the company, so I guess I can go ahead and share its name even if I can't share more about our first product. Why? I have noticed that a lot of people build in public and just talk about what they are building throughout the process. As a writer, I am always a little guarded about discussing what I am working on before the time is right. With App building, I am even more so because I have never done this before. Unless you count working on creating a few websites a decade or so ago.

The company's name is Storicore, but I have taken to capitalizing all the letters except for the "i": STORiCORE. I did this because the "i" looks like a human and to emphasize that one of my main objectives is to put you the individual at the heart of everything. You can go to the website at storicore.com. It's a basic site at this time since we haven't released anything just yet. As they say whenever a new AI video model releases, this is the worst it will ever be. 

Our goal is to become an AI and Human-powered multimedia company that delivers apps, graphic novels, books, TV shows, movies, video games, and more. Something I have been talking about on here for years. We are leading with apps because every individual's experience is valuable, and we want you to watch, read, listen, and create stories that mean something to you. This part of the business is all about you.

In one way or another, stories are at the heart of every part of our lives. Most stories that we may want to tell tend to go untold, either because we are not used to telling stories or we just don't have the time. I think back on the 20th century, a great century for stories, but in reality most of the stories we could have read were lost to time. At STORiCORE, we believe that by placing the individual at the heart of our company's objectives, we can help everyone tell their stories. That way, we can all share our stories with whoever we want, empowering us to take ownership of our own creative process.  

The three apps I plan to release over the next year will allow everyone who wants to be a part of the storytelling process to do so. I can tell you from thirty years of experience that if your story matters to you, then that is all that matters. Putting it into words is the first step. 

Beyond the apps, which are focused on helping others, I have my own stories to tell. Some of which I have been sitting on for 20 years. Stories written to be Hollywood Blockbusters, intimate tales of human daily experience, thrilling tales that will make your pulse race and some that will make your skin crawl. Something I realized in 2023 was that with the help of AI, I would be able to not only write all the stories I wanted to write, but I could take any of those stories and turn them into movies, TV shows, and games once the technology caught up to my ambitions. 

After two years, technology has all but caught up to my ambitions for it. That is one of the main reasons I started this company. Once I release this first app, I will dig back into AI video tools in a big way. I have been wanting to create something for over a year, but the tools weren't quite there yet. That has changed, and I am eager to create a few shorts and then something more substantial. 

We are close to release. Just a few more steps. With the delays I've run into over the past six months, I am reluctant to place a day on the release, but I am aiming for September. I hope you'll join me on this adventure into the realm of storytelling. 

While I can't say much, I can say this. Once the app is released, you will be able to use it for free. There will be paid tiers, but there will also be a free tier for you to try it out and see if it is something that helps you. That last thing I will say about the app is that it is something I created not only for others, but also for myself to use. It is based on my use of other tools and a Custom GPT I created late last year. I'll likely release that Custom GPT around the same time as well. Always good to have options.

Don't expect there to be any Custom GPTs to go with the other two apps, but it makes sense to release one with the first app. The app will have a few similarities to the Custom GPT, and it will also have a series of unique features that will make it the perfect tool for creatives. 

Thanks for your time. Enjoy the rest of your summer. I hope to be providing another update within a few weeks. 

Marching To The Beat Of Your Own Drum

It's been an interesting six weeks since I started down this path. What path? Six weeks ago, I began a journey towards starting a company. A multimedia company I never knew I had always wanted to start before my introduction to AI. You read that right. For thirty years, I had toiled like so many before me, working on my craft in the hope to share with others. The old saying is that an artist's life is one of suffering. Not only to create, but also to be heard, read, or seen. 

GPT-4 turned 2 years old last week. That was the beginning of all of this. A door opened and I stepped through. I was excited and anxious. I still am. After two years of trying to learn all I can about AI and how I might use it, I figured what the hell, why not throttle up and put my three decades of storytelling experience to maximum use. 

I realized something a few weeks ago: I have been building this company for 30 years and just didn't know it. I spent thirty years living an artist's life, and the past two years trying to understand AI and how it can help me, and how I can help others.   

Late last summer everything started to come together. It took a few months to tie up some loose ends so I could time things right. The Holidays were my first window. Too much going on to be ideal. Same with January. February may be the shortest month but it was my first clear opening and I've been accelerating ever since. Sure, I've been vibe coding too, but let's not get ahead of ourselves. 

I spent the last week in Savannah. Went to my first St. Patrick's Day Parade. We rode our bikes downtown, got there before noon, and were gone before the drunken shenanigans took over River Street. Who knew there were so many Former Grand Marshalls?

Before my trip, I had been focused on the first of three apps I hope to release before the end of the year. Originally, I thought the third app might have to wait until 2026, but the tools to help create apps have become, well, amazing. Vibe Coding has become a thing and I have been doing my fair share over the past month. That said, I am not trying to spawn a thousand different apps at breakneck speed. I have my plan and will adjust it as necessary. No need to get carried away with every single AI advancement. 

I know Twitter is not what it used to be, and loads of people have abandoned it like a plague ship, but it is still the best source for AI news. And if I am to stay adaptable and in touch with all that is going on I need to be in the know. Because I have been tapped in long enough to some great AI sources (content creators), over the past six weeks I have eased up on scrolling Twitter and have been receiving some of my updates via newsletters or YouTube videos. It's nice to get some context and see some use cases that you don't always get with a company's Tweets.  

Last week, before I left for Savannah, I started to think about more than just the app. I allowed myself the first real chunk of time to think about the company at large, of which the apps are only a part. Someone had asked me back in February if I had come up with a name for the company. I was not worried about it at the time as names or titles for stories kind of emerge. Last week I felt compelled to begin a name quest. Yes, I used quest for dramatic effect. 

In truth, I was winding down from weeks of focus on the app. March is the month I begin to focus on both the app and the creation of the business. Last Tuesday, I started to do some research on names and I began to realize how many of the names I liked were already companies. Many of them are common names that I was not surprised had domains registered. But as I started to dig deeper and deeper I realized that there are a shit ton of companies and all of those that I was looking up, whether they were American or international companies, the names had been used in one way or another. I wanted a name that would represent what I am trying to do: To increase my creative output and to assist others with the knowledge I have gained in this life by utilizing what I have learned about AI over the past two years. The search was frustrating, seeing a name taken one after another. And then I found it. I had to get creative, but I found it. 

We are nowhere near launching, and I've yet to file all the paperwork, but I found a company name that properly represents what I am trying to do and found no mention of the name in use anywhere. Again, I had to get creative, but I had a clear shot at it. So, I thought about the name for a few days to make sure I liked it enough to have it represent both the apps as well as my creative content. Then I took my shot and secured the .com and .net domains. That is only step one of the process, but I found the name of my company, or better yet, it found me. I have steps I still need to take before I can reveal the name publicly, but I will soon enough. Possibly in next month's blog post. 

Part of my settling on the name meant I had to see how it would look. So, I started creating images and logos and began sharing them with a few people whose opinions I value. The name seems to have landed well, and those whom I have shown the images and logos to have given me feedback. Now I have a few workable images and logos. Not only for the company but also for the 1st app. 

I have settled on a few early styles that I like for the Company name, the app name, and the app. My thoughts on the app originally were to make it similar to many of the other tools out there, which are very clean in their appearance. I love simplicity, but I also like style. Do I really want my first app to look like everyone else's app? Yes, but no. While I like the simple appearance of many of these apps, they all look the same. My solution is to keep it simple but with a bit of style. I will probably also have a toggle that will allow users to switch to the more lackluster version. Or not. Maybe I'll just do a light and dark toggle. We'll see. Still some work to do. 

One of my guidelines is to not overcomplicate things. "Keep it simple, Stupid," is definitely a motto I am trying to live by these days. Examples: 1) I created an eight-month and a three-year plan last November. When I realized that the Holidays or January would be terrible times to begin this madness, I moved my start time to mid-February. I adjusted the plans accordingly. 2) Since I made those initial plans back in November, AI has kept on accelerating and making advancements. The writing has been on the wall for months that 2025 would be the year of AI Agents. What was unexpected was how quickly other AI companies would learn from one another to create similar tools.  

That started when OpenAI's o1 dropped in December, a few months after the weaker o1 preview had been released, and introduced us to Reasoning LLM models. We are now awash in reasoning models as other companies quickly figured out how o1 works. OpenAI then dropped Agentic Tasks in January and then Deep Research in February. Tasks are a basic agentic tool but Deep Research was the first proper agentic tool that allows users to create research papers on a subject with more detail than with normal queries. Other companies quickly began following with their own versions.

Those were just the ones that dropped before I began in earnest to create the first app and the company. Ever since the second week in February, the updates have kept coming as far as agents and all the other AI tools. The cost of AI has skyrocketed as well. Not only has OpenAI begun charging $200 for a Pro Tier, but the best AI Video models (Google Veo 2 and Luma Ray 2) are charging an arm and a leg for normal generations. Granted Veo2 is available in YouTube shorts but it is a wonky way to access it. 

The hope is that the cost will drop so that we mere mortals might be able to use these tools to create without having to pay out the ear for the privilege of using them. These tools are there or thereabout where I need them to be to create one of the many shorts I have been thinking about for the past year. My hope is that the cost drops as the tools continue to improve. If you listen to the rumblings, it sounds like Runway and Midjourney may have Video Model updates within the next few months. 

My hope is that they take us over the threshold from good enough for short films to good enough for feature films, TV, and games. What does that even mean? It means that not only do the outputs need to look natural but they need to sound right as well. You can still tell every lifelike AI movie was created with AI. Until that happens it can only be used for VFX shots. Apparently, House of David on Amazon Prime used AI for VFX shots, and that is a pretty big deal. They did not admit this until after it shot up to #2 on their Movies list. That means they were afraid to mention it before its release but willing to give credit once they were a success. The same could be said for Tom Hanks and Robin Wright's Here. Only after its release did they publicly give full credit to the AI teams that helped de-age them. There is a desire by filmmakers to use the technology to tell their stories but a fear of how the public will react. 

Sora is a good AI video tool but it is not what I had hoped it would be. In truth, none of them is as intuitive as I want. I tried out Veo 2 and Ray 2 over the past month when they were made available on one subscription. They were both so expensive that I could not make more than one video each with both models. And I was disappointed with the output video from both models. TBH, it put me in a mood. I knew then that now was not the time to even think about trying to make anything more than a short. It wasn't cost-effective and the tools, while they had gotten better, were not good enough... yet. 

This is the lone video I was able to make with Veo 2 on the paid site I used. If I had created one more I would have burned through half of my credits. This is supposed to be the first shot of the TV series that I tried pimping out last year. Other than the surgical mask dangling before the camera instead of sitting in the middle of the road, not bad. It's not usable but I like the look of the town and the fact that the streets are empty. This is an example of how these models need to get better—smarter. The prompt was not perfect but a smart model should know that the mask is in the street and not dangling before the camera. 

Prompt: A small-town main street at night, illuminated by soft, warm streetlights casting gentle shadows on the pavement. The shop windows glow invitingly, showcasing colorful displays, yet the stores remain eerily empty, hinting at an unsettling stillness. The atmosphere is quiet and serene, with a palpable sense of anticipation for the dawn. In the center of the deserted road, a light blue surgical mask flutters lightly, caught in a faint breeze, its movement subtle yet poignant against the backdrop of the tranquil night. The camera pans slowly down the street, capturing the flickering light reflections and the delicate rustle of the mask, creating a seamless loop that emphasizes the haunting beauty of the scene.

AI video tools are good enough to make an animated movie, but lifelike is still just beyond the horizon. Which is fine by me, as I have a lot of other things to focus on. I do expect I will be able to make an animated short before the end of the year and possibly a lifelike AI trailer for the TV show I was banging on about last summer. The tools were not good enough then but they are now (for shorts), except for the price. Eventually, I'll have to suck it up for a few months and pay the exorbitant fees to get the shots I need. 

My hope is that by this time next month, I will be annoying you to try my new app. If that is the case, then I will begin work on the second app and start work on one of the animated shorts on my list. The one I will start with is the revisualization of a short film I made years ago. That is meant to be the project that helps me adapt to the medium. The other is a story that I had long been thinking about and late last year I finally got around to writing it as a script. 

I am on track with my updated 8-month plan and the 3-year plan. With the help of AI agents and other AI updates, like coding and AI video, I may be able to release the second and third apps sooner than expected. While I have tried Deep Research and Tasks, I have yet to dive too deep into Agents. However, tools like Manus look promising. 

Should there be another big leap beyond Veo 2 in AI video that allows for seamless lifelike outputs with perfectly synced voice before the fall, I may be able to start to work not only on the animated projects and the trailer for the TV series mentioned above but that may also allow me to begin on a feature, TV series or even a game. Games are a big part of the TV series from last year and we will soon be able to create games to release with our movies and TV shows. The cost may be prohibitive but if the tools are available and I can afford them I will begin using them to create lifelike content and games, but not before we cross that threshold. I don't want any uncanny valley scenes ruining my stories, causing viewers to turn the channel.

In review, I am making progress with the app. I also discovered a name for my company that I think embodies all that I am trying to do. Things are progressing. Fingers crossed I can share more next month. I do not like holding back information. I've had to do that about writing projects and now I am having to do it with the app and the company. We're getting closer and I can't wait to tell you more. 

Thanks for reading.

In Flux

Been doing some thinking over the past two weeks. I spent much of July focused on the current state of AI video and was trying to determine its limitations and capabilities. That meant researching Gen-3, Dream Machine, and Kling. There are others but those are the main three so far. There is great potential. No doubt. But, to get the best results you need to use Image-to-Video, preferably with one or two images. I can see generating between a series of single images in a longer sequence as a thing. Having one at the start and one at the end of a 10-second clip is wicked cool, but I've heard of these tools being able to do 2-3 minute sequences. Imagine adding 120 single images and next thing you know you have a whole scene created without needing to be so tedious with these shorter clips. Not all the models are doing these beginning and end frames yet but they will soon. Oh, and FLUX is giving Midjourney a run for its money as far as realistic images. 

I love all of that. Imagining how it will progress is just as fascinating to me. It's amazing to watch. New use cases are rolling out every few weeks. For instance, you can shoot a video with your camera and take an image from that video to add a VFX sequence that can be edited into the live shot using editing software. After I saw that I realized I could go back and test on old short films I made years ago. I am discovering these brilliant techniques people are coming up with and testing them to determine possible use cases. 

Like many people who have realized over the past year that we have entered a new era-- one that seems likely to change society and the way we live our lives, I have been trying to determine how to pivot. While I am no longer a young man, I still have dreams and aspirations similar to those of that younger version of me who returned from California with a creative fire burning in his eyes 25 years ago. The stories are the key. They reveal the lessons learned along the way, and the possible futures based on the world as it is perceived.  

Give me an hour at a cafe with a cup of coffee, a good book, my phone, a notebook, and a pen and I couldn't be happier. It's a pocket of time when I am free to let my mind wander. While some of my best story ideas happen while I am out for a walk, so many of those ideas are fleshed out at a cafe. The constant change around me, people coming and going, as I sit there observing while looking inwards, making connections, recalling the journey, and trying to predict and plan for what comes next. 

I have given myself till the end of this week to assess AI Video models to see what I could learn and then determine how that might impact me creatively in the near future. I still have another week, and there are likely to be many new use cases to discover, but I feel I have made my mind up already.

I am not in this space to be the guy who is the first to discover new techniques with these GenAI tools. I do not feel obligated to post content every day to keep my engagement metrics up. No, not yet at least. I want to see how others are using these tools to learn from them so that I can tell my stories in new ways. I think we are in a new frontier-- creatively speaking, and I consider myself one of those pioneers. My goal is to create a multimedia company. Or a "media empire" as a friend recently joked after reading my most recent TV series bible. It lays out big plans for the TV series that involve a few new ways of interacting with the content. 

Simply put, the goal is to work with Gen AI tools to be able to do more. Two things came to mind last spring when I began to immerse myself in the Gen AI space: How do I use these tools to help me creatively? And, how do I use this technology to help others? 

I am by no means an altruistic saint who thinks only of helping his fellow man every second of every day. Far from it. We are a screwy species and it is often best to mind our own damn business. But I do come from a long line of educators so maybe genetically that is where it comes from. Anyway, an APP was one of the first things I thought of last spring after sitting down with GPT-4 for a month. I have been researching ever since. 

While I won't go into detail about the APP at this time, it is interesting that other than creating moving and still images to accompany my written words that I thought of creating an APP to help others. The idea just made sense. Even more so now. Not only can I help others with it but I can also help myself as well.

As I was assessing the current state of AI Video tools last week I realized something. 

If I am serious about starting a multimedia company, I can't expect AI video trailers/ short films, or graphic novels to fund the way forward... yet. AI Video has gotten a whole hell of a lot better than it was this time last year. However, it's not easy to tell a substantial story. And while the trailer I am working on means a lot to me, it cannot be my main focus. These tools need to get a lot better. Right now you need to be a patient and persistent puzzle master to piece together a worthwhile 2-minute trailer. You'll need to pay out your ears for all the tools needed to create something special. But it can be done. Within a few months, folks will start creating longer works where they have pieced together using the same methods from shorts to create something special. We'll learn their process and cringe at how difficult it was. And yet that will be the most difficult it will ever be. By this time next year, it will be so much easier to do all of this.

There is a window that has opened for AI Video creators and those like myself who are gradually learning more about it every day. The familiarity with these current tools and the proven results of using them may help during the big run to create content that will likely arise next year once AI Video takes its next big leap forward. That leap should be to provide the ability for these models to take a script from a scene, ask you questions about it to make sure it understands what you are wanting and then generate the scene. Once these models can communicate with us like LLMs do using chain of thought then we will see a massive explosion of AI-empowered storytelling. 

For the time being, AI Video is still too unstable, both with its outputs and the overall process. These tools have only become worth my time since June. Sora was in February, but that doesn't count because we still haven't gotten our hands on it. Again, I am not here to discover all the techniques and share those. The people doing that are amazing and I thank them for what they are doing. Their work will be a road map for all of us. They are the OG pioneers, charting the path forward for the rest of us. 

As far as the APP, I can help people with it while working in the background on the more creative side of things. I want to avoid going the clickbait route where I create disposable content to feed a metric. I prefer substance not only with my creative output but also with the APP. The goal is to provide a service that people need.  I want to create value for others and I fully plan on doing a free version of the APP, which may be all people ever need. And that is great! But, I also see charging a monthly fee for premium services for those who need more than the basic service. 

The decision to focus on the APP is not the one that I wanted to make. If I was calling all the shots, then I would have access to all AI video tools that are being held back for the election. That would mean I might be able to go full-steam ahead on making movies and TV with AI tools. Something that I may be able to do now with animation, which, as I have said before, has more room for error than the life-like AI content. But I am not in the animation mindset yet. Once I transition to the comic book series/ graphic novel then I might be more open to focusing on AI animation. Thinking about that now maybe I should focus on the comic book sooner rather than later. Food for thought. 

My evaluation with one week to go in my AI video assessment period is that with the publicly available tools you can make comics, illustrated novels, commercials, trailers, music videos, short live-action films, and longer animated projects that most people would never know are largely AI-generated. The VFX part of this can't be overlooked. That means those who have been filming live-action sequences but have been strapped financially, can actually do some amazing things right now with AI tools. That is all great but these are not my main creative focus. While this company I am creating will include illustrated novels and comics, these current capabilities are still short of where I would need them to be to create realistic AI TV series and movies. That said, in the meantime, I can focus on all the other things I can create using AI video and audio tools, which is a lot. For me, it is all training for TV and movies, though.  

If I had access to all the tools that are being worked on behind the scenes I would likely have a different take on things in this moment. I like to think I have some idea of what may be in the pipeline, but you never know for sure. The good thing is that it is highly likely that these tools will only get better, and fast. So, it makes sense to focus more of my attention on creating the APP for the next few months. Once the dust settles after the election, it will be the perfect time to shift my main focus back to AI Video. Not that I won't be working on AI Video at all between now and then. No, I just need to prioritize the APP for now to try an make some headway before Fall. 

This time last year, I was thinking that we would be right about where we are with video. A short scene is not a performance, though. Not yet, at least. Consistency and stability are nearly solved and performance will be the next big hurdle. Or at least I think it should be. I believe we may have an AI-animated movie out by the end of the year that will be indistinguishable from a traditionally animated movie.

While I want to be able to do all of these things, I am not attempting to be the first. I want to keep learning about all of it because my goals are more intricate than just trying to be the first to create a proper AI movie. That said, I have thought about what that might be like-- the first AI movie that most people cannot tell was created using only AI tools. It could be a hybrid that actually has some live-action. That seems likely to happen soon, which will raise a lot of eyebrows. And that may open the door for the first all-AI movie that generates enough buzz to create some acceptance and appreciation from the public. The Blair With Project always comes to mind when I think of this. 

That said, these AI tools will continue to improve with each passing week. While my main focus will be on the APP, I will keep working on the trailer for the TV series. I won't be sharing a lot of details about the APP until it is ready for public testing. My initial goal is to have it ready for initial testing by November. Rolling out the APP after the election is a good target. It seems likely that even better tools will become available then. This will allow me to adapt the APP based on any updates before final testing and release. 

I'll keep pushing with the trailer and the illustrated novel series in the background. If I am to create a proper multimedia company I need to have a lot of content. I am also open to doing more with these tools in ways that may not be top of mind at this moment. I may get adept enough with these tools that others may want my assistance with their projects. I could grow fond of creating commercials or fall in love with AI animation. Maybe I decide to create a video game. Who knows? 

The one thing I would stop everything to work on is a new form of storytelling entertainment. If the tools get good enough that I can do all I laid out in the bible for my recent TV series, then that will be my top focus. In reality, I am building towards that anyway. So it is best that I take this step-by-step approach toward the likely inevitability of a more immersive entertainment experience. 

It is a process. A process guided by imagination and fueled by rapid technological change. Embracing it was much easier than expected. Some are vehemently against any use of AI for anything involving creativity. Again, I get it. However, the dreams I have had for over 20 years were stifled in the pre-AI era. My creative visions had remained only partially realized through the written word. The chance to create more with these stories may allow me to fulfill the creative goals that I began setting out for myself when I returned from LA at the turn of the century.

I am an independent artist, and through the years I have grown to value my artistic freedom more than I felt a need to sacrifice it all for someone else's idea of success. I just love to create stories. And with AI I will be able to create all the worlds I've ever imagined while maintaining my artistic autonomy. And that's all that matters. Thanks for reading.